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PublicouEsther Formoso Alterado mais de 10 anos atrás
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Inventing Northeastern Popular Music for the Nation
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Nationalizing Northeastern Folk Traditions Northeastern themes and songs adapted for Rio de Janeiro (1910s) Côco and Embolada (1920s-30s) Luiz Gonzaga and the Baião (1940s- 50s)
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Catulo da Paixão Cearense Reformer of the modinha Stylized adaptations of Northeastern folk music traditions Romantic visions of the Sertão Luar do Sertão (1863-1946) WebPage
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João Pernambuco Guitarist in Rio de Janeiro Partner with Catulo da Paixão Cearense Member of Os Oito Batutas (1863-1946) WebPage
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Pixinguinha and Os Oito Batutas Brazils most influential music group of the 1920s Trips to collect folk music from the Northeast Northeastern influence in repertoire WebPage
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Côco and Embolada Northeastern musicians in Rio de Janeiro Regional Combos Manezinho Araújo (1920s-1930s)
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Luiz Gonzaga Born in Pernambuco Moved to Rio de Janeiro (1930s) Radio Programs (1930s-1950s) Hit Recordings (1940s-1950s) (1912-1989) WebPage YouTube
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Baião and Música Nordestina Instruments: Zabumba, Accordion, Triangle Modal Scales Syncopated rhythmic figure Lyrics focus on northeastern life experiences
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Accordion Trio Format Zabumba Triangle
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Jackson do Pandeiro Singer and pandeiro player Mixed northeastern sound with urban samba YouTube (1919-1982)
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